Episode 17: Maria Martins ;) Marcel Duchamp - The Impossible III, 1946 // Etants Donnes, 1946 - 1966

 

NSFW - NSFW - NSWF

 

Maria Martins, The Impossible III, 1946. Bronze. 31 1/2 x 32 1/2 x 21"

Marcel Duchamp, Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ). 1946 - 1966, mixed media installation.

 
 
 

Stephanie and Russell are back with a full serving and boy, it is piping hot and VERY NSFW!


Be sure to listen to all the cuts that didn’t make it into the episode on our Patreon.

Stephanie and Russell are back (!) to discuss two prolific artists who were opposites in many ways: one was wealthy, one was not; one was cold, one was hot; one is well-known in Art History, one is not.

Marcel Duchamp is considered hugely influential to changing modern painting and sculpture through his contributions to Dada, Surrealism, eventually inspiring Pop Art. 


Maria Martins, a pioneering Brazilian sculptor making bold, sexy, and surreal works the art world had yet to see in the 1940s, is rarely ever mentioned in Modern Art History despite exhibiting with the Surrealists or she is merely mentioned as “Marcel Duchamp’s mistress” (which is incorrect).


Their paths crossed in the 1940s New York City art scene, where they mingled and fell in love, leading them to pursue an unexpected fiery romance that had a lasting and fascinating impact on their lives, their artwork, and ultimately, Art History.


Stephanie and Russell discuss elements of their relationship through Maria Martin’s The Impossible III (1946) and Marcel Duchamps’ “Etants Donnes” (1946 -1966).


Here is a video of Etants Donnes by a gallery visitor

Topics include: Rectangular Boys of Parlor, the Fourth Dimension, urinals, sensual samba dancers, face cleavage, runaway vaginas, Thomas Kinkade, and teeny hacksaws.


The Art Pantry this week is Bronze Casting:


The song featured in this episode was “I Hate Him So Much” by Anonymous 420 from the album This Is All A Dream which can be found here. Support Rrrrrose’s mission to create queer, free music against Capitalism and Fascism on Patreon. Consider supporting their work!


Reviewing, subscribing, liking, and sharing really helps support the show:

Consider subscribing and leaving us a review on apple podcasts.

 

Maria Martins with Ma Chanson. 1944. bronze.

 

Maria Martins, date unknown.

 

Life Magazine Spread of Maria Martins Sculpting, 1941 / Frida Kahlo in Detroit newspaper in 1933.

 

Maria Martins in her Brazilian Embassy home with her sculpture, 1941.

 

Maria Martins, Christ, 1941. Jacaranda wood. 7' 10 1/2" x 19" x 19 1/2"

 

Maria Martins, Tem chiero de mato (from the series Samba) [It smells of brush], jacaranda wood, 69.9 x 27.9 x 16.5cm

 
 


Maria Martins, Samba Flows In Her Veins, 1941. Jacaranda wood. 52.5 in.

 

Maria Martins, Yemenja. 1946. bronze. 27 1/4 × 28 1/4 × 22 1/8 inches, 150 pounds.

 

Maria Martins, Boiuna, 1942, bronze. 28 1/2 X 27 X 18 1/2”

 
 

Maria Martins The Road; The Shadow; Too Long, Too Narrow. 1946, bronze and wood. 56 1/2 x 71 3/4 x 23 3/8"

 

Maria Martins, N'oublies pas que je viens des tropiques (1945). Bronze, 93 x 122 x 66 cm.

 

Maria Martins in her New York Broadway studio, c. 1946.

 

Maria with her sculptures, c. 1951.

 
 

Marcel and Maria (second and third from left) with artist Arshile Gorky (right). c. late 1940s-early 50s.

 

Maria and Marcel with Yves Tanguy, Kay Sage, and Arshile Gorky c. 1950s.

 
 

Marcel Duchamp, Nude (Study), Sad Young Man on a Train, 1911-12. Oil on cardboard, mounted on masonite.

 

Marcel Duchamp, Nude Descending a Staircase, No. 2. 1912. Oil on canvas. 57 7⁄8 in × 351⁄8 in.

 

Marcel Duchamp, Fountain, 1917, photograph by Alfred Stieglitz at 291 art gallery. The backdrop is The Warriors by Marsden Hartley.

 

Maria Martins, date unknown.

 
 

Maria Martins, Impossible (plate, folio 6) from Maria (exhibition), 1946. Soft ground etching, aquatint, and engraving, plate (irreg.): 6 7/8 x 5 7/8 in. (17.5 x 14.9 cm); sheet: 13 1/8 x 10 3/16 in.

 

Martins Martins, O impossivel, 1945. Cast. 740 1/5 × 66 1/2 × 35 4/5 in

Maria Martins, Eighth Veil, 1949. Bronze.

 

Maria Martins, The Implacable, 1944. Bronze.

 

Maria Martins, Night Chant. 1968, polished gold.

 

Night Chant in its permanent location, Itamaraty Palace in Brasilia, Brazil. Check out more images here.

 
Previous
Previous

Episode 18: Deadly Roses & Haunting Wells: Katsushika Hokusai - “House of Plates”, 1831-32 // Margaret Macdonald Mackintosh - “La Mort Parfumée (Perfumed Death)”, 1921

Next
Next

Episode 16: - El Greco Loco / Mannerist Mayhem - “The Annunciation” - 1597