Fluorescent Yellow - Art Slice Museum Laboratories Division of Color Theory and Color Studies
For its third episode, the Art Slice Museum Laboratories Division of Color Theory and Color Studies presents . . . FLUORESCENT YELLOW.
Join us as we discuss FLUORESCENT YELLOW’s history that all started in a DayGlo lab and its far reaching effect on everything from military warfare, fashion, subversive pop culture, music and art history.
We also dig into our associations - which ranged from danger/caution, eeriness, youth, and nightlife - with FLUORESCENT YELLOW through data compiled by the Art Slice Pantrémon from clinical participants.
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The song featured in this episode was “I need to do it to be alive” by Soft and Furious from the album Diving in the Self which is one of a hundred incredible songs by Rrrrrose of Loyalty Freak Music. Support Rrrrrose’s mission to create queer, free music against Capitalism and Fascism on Patreon. Consider supporting their work!
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:･ﾟ☆✧ Cave Train Adventure ✧☆ :･
Dayglo fluorescent yellow pigment
The Beatles’ album cover for Sargeant Pepper’s Lonely Hearts Club Band printed in fluorescent Dayglo ink, 1967.
Dana Schutz, Surgery, 2004. Oil on canvas.
Haley Josephs, Sisters of Tomorrow. Oil on canvas. 70 x 80 inches.
Keltie Ferris, S?!i?!r?!e?!n?!s, 2020-2021. Oil and watercolor on canvas in the artist's frame. 160 × 134,6 × 7,6 cm
A detail of Jean-Michel Basquiat's, Untitled (1981) seen under normal light (at left) and under UV light (right), where an arrow appears between the letters "E" and "P." Photo: ©Longevity Art Preservation.
Frank Stella, Harran II, 1967. Polymer and fluorescent polymer paint on canvas.10 x 20 feet (304.8 x 609.6 cm)
Laura Grisi, Untitled, 1966. Acrylic, graphite, and felt-tip pen on card, 92x62 cm
Laura Grisi, untitled,1966. Acrylic, graphite, and felt-tip pen on card,100 x 70 cm
Laura Grisi, Subway, 1967. Neon, plexiglass, aluminium, sliding panel.163 x103x22 cm
Laura Grisi, Sunset Light, 1967. Neon, plexiglass, 219x30x30cm
Peter Halley, Ascendant, 2021. Acrylic, Day-Glo acrylic and Roll-a-Tex on canvas. 201 x 188 cm
Ugo Rondinone, Seven Magic Mountains, 2016. Las Vegas, NV. Locally sourced limestone boulders. Each totem is 30-35’ tall.
